Songs by Johannes Brahms, Alban Berg, Charles Ives, Modest Mussorgsky, Chen Yi, Toru Takemitsu, Charles Trenet, Cole Porter and others.
A concert programme in which British-Singaporean mezzo-soprano Fleur Barron and pianist Julius Drake explore the personal connections and feelings of home, homeland and belonging. The program combines poetry and music from Eastern and Western creators around the themes of home, childhood and dreams and asks us all the question: Is the term "home" for you an inner state, a physical place, a geopolitical space?
The protagonists of our 2025 prizewinners' concert have been chosen: on September 29, baritone Giacomo Schmidt and pianist Jong Sun Woo were awarded first prize at the 14th International Song Competition. A magnificent and well-deserved success, which will culminate in the prizewinners' concert on January 26, 2025, with this extraordinary song duo, with whom we want to open the Song Year 2025.
The Renaissance in 19th-century song and literature – songs by Wolf, Liszt and others; texts by Rilke, Hugo and others
The concert accompanying the exhibition “Carpaccio, Bellini and the Early Renaissance in Venice, which will be shown at the Staatsgalerie Stuttgart from November 2024 to March 2025, highlights the reception of the Renaissance in the 19th-century art song repertoire and in the literature of the early 20th century. Bass-baritone Michael Nagl, a member of the Stuttgart State Opera ensemble since 2018/19, together with pianist Götz Payer, will perform songs based on poems by Renaissance poets, including Hugo Wolf and Franz Liszt. The musical program will be complemented by a speaker from the Stuttgart Academy for the Spoken Word with texts of so-called “Renaissancism” from the late 19th and early 20th century.
Songs by Schumann, Mahler, Poulenc, Clarke, Eggert, Musto, Frances-Hoad, Reuter etc.
We are delighted to welcome back the winners of the 1st prize at the International Competition for Art Song 2018 – Mikhail Timoshenko and Elitsa Desseva! Their finely composed program takes us to old and new fairytale worlds.
Pauline Viardot (1821–1910), Elsa Barraine (1910–1999), Rita Strohl (1865–1941), Clara Faisst (1872 – 1948), Luisa-Adolpha Le Beau (1850–1927), Margarete Schweikert (1887–1957) – these six women have -among others - two things in common: They are with great female composers who left an extensive work in the genre of art song (and not only that) – and who hardly ever appear in concert programmes, neither in their own lifetime nor today and are paid far too little - or no attention at all - in the music world. This course aims to change both! The 46th Stuttgarter Meisterklasse für Lied is therefore dedicated exclusively to these six song composers, their lives, their work and their influence. We are very pleased to have two very special women as lecturers, who have been working for many years for equal perception and acceptance of female composers in the music world: award-winning song pianist Anne Le Bozec and musicologist Prof. Dr. Natasha Loges. Further information on the course schedule and registration: www.lied-meisterkurs.de or in our folder.
Pauline Viardot (1821–1910), Elsa Barraine (1910–1999), Rita Strohl (1865–1941), Clara Faisst (1872 – 1948), Luisa-Adolpha Le Beau (1850–1927), Margarete Schweikert (1887–1957) – these six women have -among others - two things in common: They are with great female composers who left an extensive work in the genre of art song (and not only that) – and who hardly ever appear in concert programmes, neither in their own lifetime nor today and are paid far too little - or no attention at all - in the music world. This course aims to change both! The 46th Stuttgarter Meisterklasse für Lied is therefore dedicated exclusively to these six song composers, their lives, their work and their influence. We are very pleased to have two very special women as lecturers, who have been working for many years for equal perception and acceptance of female composers in the music world: award-winning song pianist Anne Le Bozec and musicologist Prof. Dr. Natasha Loges. Further information on the course schedule and registration: www.lied-meisterkurs.de or in our folder.
Pauline Viardot (1821–1910), Elsa Barraine (1910–1999), Rita Strohl (1865–1941), Clara Faisst (1872 – 1948), Luisa-Adolpha Le Beau (1850–1927), Margarete Schweikert (1887–1957) – these six women have -among others - two things in common: They are with great female composers who left an extensive work in the genre of art song (and not only that) – and who hardly ever appear in concert programmes, neither in their own lifetime nor today and are paid far too little - or no attention at all - in the music world. This course aims to change both! The 46th Stuttgarter Meisterklasse für Lied is therefore dedicated exclusively to these six song composers, their lives, their work and their influence. We are very pleased to have two very special women as lecturers, who have been working for many years for equal perception and acceptance of female composers in the music world: award-winning song pianist Anne Le Bozec and musicologist Prof. Dr. Natasha Loges. Further information on the course schedule and registration: www.lied-meisterkurs.de or in our master class flyer.
Mörike settings by Hugo Wolf, Othmar Schoeck, Pauline Viardot, Felix Weingartner and others
2025 marks the 150th anniversary of the death of the Swabian poet Eduard Mörike, who is more closely associated with the musical oeuvre of our namesake Hugo Wolf than almost any other poet. And even though Mörike is always worth a performance, we are taking this anniversary as an opportunity to dedicate an entire Galeriekonzert.
The internationally celebrated baritone Stéphane Degout is finally making his song debut in Stuttgart with a program that pays tribute to both his French homeland and his love of German-language songs – a musical highlight not to be missed!
Rachael Wilson presents a programme of songs at the Staatsgalerie Stuttgart, accompanied by Simon Lepper. With songs by Janáček, Ravel, Nadia Boulanger, de Falla u. a.
A song recital on the cabaret stage? Is that possible? Yes, it is possible! In their (tragi)comic song programme, three classical artists take us back to Vienna at the turn of the century to meet quirky critics, cranky characters and sometimes more, sometimes less happy lovers. The whole thing is peppered with a wink and an unerring sense of wit and humour.
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