Songs by Johannes Brahms, Alban Berg, Charles Ives, Modest Mussorgsky, Chen Yi, Toru Takemitsu, Charles Trenet, Cole Porter and others.
A concert programme in which British-Singaporean mezzo-soprano Fleur Barron and pianist Julius Drake explore the personal connections and feelings of home, homeland and belonging. The program combines poetry and music from Eastern and Western creators around the themes of home, childhood and dreams and asks us all the question: Is the term "home" for you an inner state, a physical place, a geopolitical space?
Songs by Johannes Brahms, Alban Berg, Charles Ives, Modest Mussorgsky, Chen Yi, Toru Takemitsu, Charles Trenet, Cole Porter and others.
A concert programme in which British-Singaporean mezzo-soprano Fleur Barron and pianist Julius Drake explore the personal connections and feelings of home, homeland and belonging. The program combines poetry and music from Eastern and Western creators around the themes of home, childhood and dreams and asks us all the question: Is the term "home" for you an inner state, a physical place, a geopolitical space?
The members of the International Opera Studio present a programme of songs in the foyer of the opera house, accompanied by Vlad Iftinca. Programme will be published later.
It is a fairy tale with a happy ending - the "wondrous love story of the beautiful Magelone and Count Peter of Provence" by Ludwig Tieck from 1779. In his opus 33, Johannes Brahms set fifteen songs to music that are already included in Tieck's text. With its interplay of text and song, "Die schöne Magelone" is a unique piece - and a romantic love story that only seems a little out of date at first glance. After all, a little happiness in love and a happy ending are very much needed in this day and age.
Esther Dierkes and Björn Bürger present a program of songs in the foyer of the opera house, accompanied by Götz Payer on the piano. Programme will be published later.
"Wandering is the miller's delight ..." Schubert's song cycle "Die schöne Müllerin" begins light-heartedly. And yet the story of the journeyman miller ultimately turns out to be a multi-layered one-person drama: she simply doesn't love him, the miller's daughter ...
The new project of Musicbanda Franui is once again an event: the ensemble from the Austrian mountains not only makes music at an incredibly high level, it also regularly teams up with artists from other genres. In its latest production, it is bass-baritone Florian Boesch and puppeteer Nikolaus Habjan. Together they present "Die schöne Müllerin", which, together with Boesch's captivating singing and Habjan's marvellous puppetry, surpasses itself.
Christmas songs by Engelbert Humperdinck, Peter Cornelius, Jean Sibelius, Robert Schumann, Gabriel Fauré, Eduard Toldra, Edvard Grieg, Maurice Ravel, Cecile Chaminade, Joseph Marx, Richard Strauss u. a.
In this concert, soprano Christiane Karg takes us on a Christmas journey. She experiences the "festival of love" through the eyes of a child and traces the "feeling of Christmas" in different languages and cultures.
The protagonists of our 2025 prizewinners' concert have been chosen: on September 29, baritone Giacomo Schmidt and pianist Jong Sun Woo were awarded first prize at the 14th International Song Competition. A magnificent and well-deserved success, which will culminate in the prizewinners' concert on January 26, 2025, with this extraordinary song duo, with whom we want to open the Song Year 2025.
The Renaissance in 19th-century song and literature – songs by Wolf, Liszt and others; texts by Rilke, Hugo and others
The concert accompanying the exhibition “Carpaccio, Bellini and the Early Renaissance in Venice, which will be shown at the Staatsgalerie Stuttgart from November 2024 to March 2025, highlights the reception of the Renaissance in the 19th-century art song repertoire and in the literature of the early 20th century. Bass-baritone Michael Nagl, a member of the Stuttgart State Opera ensemble since 2018/19, together with pianist Götz Payer, will perform songs based on poems by Renaissance poets, including Hugo Wolf and Franz Liszt. The musical program will be complemented by a speaker from the Stuttgart Academy for the Spoken Word with texts of so-called “Renaissancism” from the late 19th and early 20th century.
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